Fantasia for Two Horns and Piano

by Ricardo Matosinhos

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Description

Fantasia for Two Horns and Piano

Fantasia for Two Horns and Piano was composed for the 2021 Phoenix Music Competition. In 2021, I challenged Phoenix Music Publications to organise a Horn Duo Competition. At a time when half of the world was still under physical distancing and confinement. Accordingly, horn players all over the world were trying to keep in shape and this led to the creation of the Phoenix Music Competition 2021. The winning piece is dedicated to Anthony Parrish and Matt Meadows.

As the name suggests, the fantasia does not follow a strict musical form. Like much of my music, it was born out of a slow-motion improvisation. It begins with a catchy rhythmic note repetition and a heroic theme, gradually becoming more ambiguous and alternating between 3/4 and 6/4 time signatures. Thereafter, the initial theme morphs into different characters before returning to the original idea with extra energy. Fantasia for Two Horns and Piano is the perfect piece to play as part of a split solo recital or to combine with other pieces for two horns and piano.

Ricardo Matosinhos

Ricardo Matosinhos is a major contemporary composer, clinician and educator for French Horn. Here is an interesting example of his educational presence on YouTube.

 

Additional information

Weight 195 g
Dimensions 626546306 cm
Composer

Ricardo Matosinhos

ISBN

9789055521128

Instrumentation

2 Horns and Piano

Language

Portugese, English

Publisher

Phoenix Music Publications

Year Published

2023

Format

A4, Parts A3

Instrumentation

2 Horns

Pages in Score

16

ISBN

9789055521128

Portugese

Em 2021, desafiei Kerry Turner a organizar um Concurso de Duo de Trompas. Metade do mundo ainda estava sob distanciamento físico e confinamento, e os trompistas em todo o mundo tentavam manter-se em forma. Foi assim que nasceu o Concurso da Phoenix Music 2021. Fantasia op.91 é dedicada a Anthony Parrish e Matt Meadows, vencedores deste concurso. Como o nome sugere, a fantasia não segue uma forma musical estrita. Tal como grande parte da minha música, nasceu de uma improvisação em câmara lenta. Começa com uma repetição rítmica de notas cativante e um tema heróico. Gradualmente, o sentimento rítmico torna-se ambíguo e alterna entre 3/4 e 6/4, e o tema inicial transforma-se em carácters diferentes, antes de regressar à ideia inicial com energia extra. Esta é a peça perfeita para tocar num recital solo dividido ou para combinar com outras duas peças para trompas e piano.

– Ricardo Matosinhos

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